Brooklyn Rail - Art Review - October 3, 2014
The danger of the art world constantly searching for the “next big thing” is that quieter, more introspective work, like that of painter Bill Lynch is easily overlooked. Thankfully, he has just been given his inaugural—and posthumous—New York exhibition at White Columns. Lynch, who died last year at the age of 54, had been painting since his student days at Cooper Union, in the late 1970s. Other than a memorial leaflet penned by Michael Wilde (available at the gallery), almost nothing has been written about Lynch, and though it appears that his output was prodigious, he was known to only a small coterie of other working artists and friends.
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